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 We already know Kristen Wiig can act. So the real revelation in “The Skeleton Twins” is Bill Hader, who turns in a performance so overflowing with poignancy that he deserves to be considered on any early awards list.

The former “Saturday Night Live” co-stars do indeed play twins, Maggie (Wiig) and Milo (Hader). But the siblings haven’t seen each other for 10 years when Maggie, still living in their Hudson Valley hometown, learns that Milo is suicidal. She moves him into her house, which she shares with her permanently enthusiastic husband, Lance (Luke Wilson).

The twins fall back in synch almost immediately, which both buoys and buffets them. Both have been ignoring the sad state of their lives, but now each has a depressed and desperate mirror image. Milo, who is gay, can no longer freely chase unhealthy relationships (including one with a former teacher, played by Ty Burrell). Maggie is carrying countless burdens of guilt. She’s forced to admit that her perfect husband might not actually be perfect for her.

Wiig is quietly touching as the painfully lonely Maggie. But because Milo is the more outgoing character, Hader has the splashier role. He jumps right in, finding so much humor, sadness, cynicism and hope within Milo that we come to see him as a friend.
 Indeed the filmmakers should have trusted their leads a little more. Some scenes feel formulaic or heavily symbolic, with director Craig Johnson and his co-writer, Mark Heyman, spelling out emotions and motivations that the actors have already conveyed.

But every time we veer into overly familiar territory, Hader and Wiig find a way to connect — with the script, with each other and with us. And here’s the proof: when Milo and Maggie start lip-synching to Starship’s unbearably cheesy ’80s anthem “Nothing’s Gonna Stop Us Now,” there’s nowhere else you’ll want to be.